'Susana and the Elders\r'

'Susanna and the Elders On my stumbler to the Norton Simon M consumptionum, a painting labeled Susanna and the Elders, Flemish women Jan Massys, very stood taboo to me. The specifications of this oil on canvas go bad of art be 42 x 77-1/2 in. (106. 7 x 196. 9 cm). The painting was do in 1564, during the Renaissance, and portrays an example of the religious tension of that epoch and reflects the era after the start of the Reformation. My first apprehension when gazing upon Susanna and the Elders bad things argon about to happen; thither is d sliminess old men hiding base a planter box and appear to be conspiring an evil plot.These men argon dressed in reddish, which in this case, it must represent last that they atomic number 18 feeling toward Susanna. The focal point is Susanna imagineing as though she is getting ready for bed or mayhap to take a bath. Also, she is dressed in very nice cloths so appears to be of baronial stature. I should excessively not that she is c onntroposto in her baffle and the way her cloths f totally on to her body. To the adjust, there is deuce women that look as if they are trying to enticement her to safety, away from the offensive men behind her. possibly they are her loyal servants.This all appears to be victorious place in a fancy garden which gives me the idea that she vulnerable in that she is secluded. The men must buzz off planned ahead to sneak up on her out here earlier than nigh other people furthering my suspicion of their cruel intentions. unmatchable last thing I noticed was the small statue in the bottom right corner; however, I can’t make much finger of it. I know it means nearlything, but I tho gull’t get it. If you pass the lines of the stone benches they lead you to a point just beneath Susanna’s head which suggest the use of perspective.The use of lines is evident again when flavour at the fine detail in the trees that surround this diorama. On, a face note, th e tree that the old man is safe property on to appears to be minerature in size, as if her is this evil giant. Perhaps this is meant to symbolize their dominance and her vulnerability. Massys placed the buildings in the background so they are proportional to the equilibrate figures in the foreground. Also, it looks as if there is use on linear perspective, especially in the stone walls; they look at if they are wrapped around Susanna keeping her safe from these bad men.The sluttish source is advance from the top right of the painting and appears that it is shining without de congeal on to Susana, al approximately making her this heavenly entity. I hold this is a symbol that God leave keep her safe from these men. It is a soft light that that allows the colors Massys chose to stand out and chalk up to the chiaroscuro. though the Chiroscuro is light, Massys makes decent use of it. Susana is lit up signifying that she is complete(a) and innocent and the creepy guys behind the tree are in the shadows giving off the idea that they are evil with malicious intent.The deep blood red that the two guys are wearing is symbolic of their propensity for Susanna. Red, I believe, sex or passion whether it be good or bad. The gold that Susanna is wearing gives her some authority in the painting and also an travel like presence as gold represents the heavens. The colors come out very realistic and must well-nigh portray what this actual place must have looks like. Everything in the painting looks as if it is overlapping and this adds to the drama. Also, the figures seem to be very strategically placed in the setting.There is Susana in the center, the to evil old men on the left and the maidens on the right giving the scene much balance. It looks as though he whitethorn have started from the back of the painting and moved forwads as the object got closer. He probably started with the building in the back and then moved his way up to the human figures. Even though th e figures are entrust fairly close together there is unequivocal depth. If there wasn’t any perspective in the painting I don’t think it would have depth and would come out alternatively flat and dull.The perception of depth in this subject field of are seems to be very important in composing the message. The use of color might add some dimension but without depth they would nonoperational seem flat and dull. There are legion(predicate) things that suggest motion in this picture. Susanna’s generate is stretched out giving the impression that she is reaching out to them. The maids are pointing at theselves and also where they are passing play looking as if they are asking Susanna to come after them. They also look rather worried for her safety.The maids are leaning forward while both of their right legs are extended behind them preparing for their next graduation making a very strong deductive reasoning that they are walking rather quick. I don’ t know if this is just me, but it looks as if the clouds fading into the distance faster than normal perhaps to represent the passing of time and they are booming suggesting the presence of God. I think that the way Massys has the two lurking men staring at Susanna and the two maids looking at her from the opposite direction make all the characters one.Also their heads all lay on the same vapid adding to the composition. The two benches that are on either side of Susanna lead the mettle back into the painting so you experience the square scene. It’s almost as if they are a Ying and Yang; the men want her to do bad things to them and her maids want to protect her and her good name. The creepy looks on these guys’ face give me the impression that they go forth blackmail the women in to getting what they want from her.Also, unfortunately, they also appear to be powerful men and most likely have the means of doing so rather easily. The look as if perhaps they are typ e of the clergy somehow, and this ties back to the representation of the corruption going on in this time. Perhaps Massys was Protestant and was trying to transfer her view of the Catholic order. Also their heads all lay on the same plane adding to the composition. The two benches that are on either side of Susanna lead the eye back into the painting so you experience the whole scene.\r\n'